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Jimi Hendrix: Musician presents a completely fresh look at Hendrix by tracing his musical history and examining him as a guitarist, composer, and singer. Hendrix was a larger-than-life figure, and previous accounts have tended to obscure the role of his musical genius. This book places the visionary musician within the historical context of the 1960s and the years before and after his rise to fame, and within the musical and cultural events during all stages of his career, providing fascinating new clues about how he created his musical masterpieces. Hendrix expert Douglas J. Noble contributes a special examination of the instruments and equipment Hendrix used in his quest for more expressive and exciting sounds. 300 color and black-and-white photographs make this a visual celebration of the genius who created modern rock guitar.
- Sales Rank: #1081592 in Books
- Brand: Hal Leonard
- Published on: 2003-10-01
- Released on: 2003-10-01
- Original language: English
- Number of items: 1
- Dimensions: 13.00" h x .89" w x 10.25" l, 3.53 pounds
- Binding: Hardcover
- 256 pages
- Used Book in Good Condition
About the Author
Keith Shadwick, author of Bill Evans: Everything Happens to Me, lives in London.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Jimi Hendrix - The Musician Side of Hendrix
By Arnon Ehud
I want to join all 5 star previous reviews because this book worth it. It covers Hendrix life from the music point of view - the influences and his musical endevour.
one remark though - print is too small and even with my reading glasses I had some difficulty.
21 of 26 people found the following review helpful.
An Excellent Review of One Who Dared to Kiss the Sky
By o dubhthaigh
This coffee table sized tome would make a perfect gift for anyone with an avocation for all things Hendrix. This is a well researched and documented account of the career and personal history of Jimi Hendrix. Shadwick has done a terrific job casting the historical setting that made both his music nad himself possible. While not the musicologist's tome that Lewis Porter did on John Coltrane, the research and writing here is absolutely first rate.
Shadwick clearly sets an historical line that preceeded Hendrix as musician and showman both in the course of R and B and Blues and Jazz (louis Jordan, T Bone Walker, the Isleys, etc) as well as that mix of Cherokee and African family heritage and culture that made him so unique. I'm not clear whether or not this has the official approval of the Hendrix Estate, but it should. It is a compassionate, yet unblinking study of his intrepid courage, his core humble hamnity, and the havoc wrought by the struggles and the success in a world of rock going crazy. In so many ways the "cult of personality" was born around and out of the fascination and adoration of Jimi Hendrix, first and foremost as a musician, and as just this wild hippie, which image became the whale that swallowed the Jonah of new music. At a time when he most needed to retreat from being "Jimi Hendrix" an entire network had contrived to ensnare him The dismay expressed by Mitchell, Redding and Cox is squarely legitimate and indicts for all time those whose msiion it was to consume him.
It clearly jumps out at you who was loyal to Hendrix as a human being, who sycophantically fed off him like a pernicious cancer, destroying a brilliant and yet essentially very kind man. It will aways be one of the great unanswered questions as to where he might have gone with his music. In the case of Coltrane, John had come to contemplate the face of God and may not have been able to articulate any further the rapture he experienced, and thus he may not have died so much as ascended into heaven.
In the case of Hendrix, he had inadvertently grasped onto death's doorhandle and while looking for a way to rise like a Phoenix from what he had clearly perceived as an exhausted road, he did not so much select his end as be virtually tossed from the window while scanning the horizon for a new rising sun.
The book is loaded with great photos and an index, set of references and a discography that is definitively well documented. The interviews recounted with friends, family, loved ones and villains is even handed and objective. This is a terrific book, definitely the best there is about a man whose music impacted and changed forever the way dedicated artists considered their craft. And no one has played the guitar the same way since Jimi Hendrix. He changed everything.
17 of 22 people found the following review helpful.
Getting Inside Jimi's Musical Mind
By Mad Dog
So much has been written about Jimi Hendrix, do we really need another full length book? Fortunately, the answer is a resounding "yes"! Keith Shadwick has given us a fresh perspective on Hendrix, one that took this reader on a bit of a travel through time. What we've been missing all these years is a comprehensive source that cuts out all of the superfluous junk and gets down to that which was real, at that time - how it affected the music and how the music affected it.
Electric Gypsy (Harry Shapiro) is an excellent book in that it has the bulk of the factual information on Jimi's life, maybe even too much information. But, in its quest for all things encyclopedic, it seemed to miss out on the spirit of the time that Jimi lived in. Setting The Record Straight (Eddie Karmer and John McDermott) partially bridged this chasm, by taking the reader into not only the studio where Jimi and his bandmates laid down the tracks, but into Jimi's musical mind - the kinds of sounds he wanted to find, where he thought his music could go in the future. In short, it took us into some of Jimi's dreams. Between these two extremes, one can find much middle ground, most of it far more towards the Electric Gypsy camp. To get closer to the man himself and the realities of the world as it was when he was making his mark, one was almost better off searching out vintage magazines, such as Guitar World, Rolling Stone, etc.
But now we have Jimi Hendrix: Musician. The changes brought on by the simple realities of Jimi's musical life are given perspective in this book fare more completely than ever before. We are given glimpses of the journey and not just a facimile of the final destination. And those glimpses provide color so we can see more clearly how difficult it must have been to endure the musician's life back when Jimi was starving. Not only that, we can share in the joy of the good times and also the frustrations Jimi felt when all was not well during his last years.
Jimi's musical tenure was rooted right in the middle of the most incredible of times, when social change moved music and music attempted to cause social change. Many authors have struggled to put the reader into that space and time, but Keith Sedgewick has managed to sail those waters brilliantly.
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