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Rough Magic: A Biography of Sylvia Plath, by Paul Alexander
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Since her suicide at age thirty, Sylvia Plath (1932–1963) has been celebrated for her impeccable and ruthless poetry, which excels at describing the most extreme reaches of Plath's consciousness and passions. Her work includes the autobiographical novel,The Bell Jar, and such collections as The Collosus, Ariel, and the Pulitzer Prize–winning Collected Poems. Based on exclusive interviews and extensive archival research, Rough Magic probes the events of Plath's life—including her turbulent marriage to the English poet Ted Hughes—in a biography that stands alone in its compassionate view of this fiercely talented, deeply troubled artist.
- Sales Rank: #1228066 in Books
- Brand: Brand: Viking Adult
- Published on: 1991-10-01
- Released on: 1991-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x 1.42" w x 6.50" l,
- Binding: Hardcover
- 416 pages
- Used Book in Good Condition
From Publishers Weekly
Nearly 30 years after Plath's (1932-1963) suicide, her troubled life proves to be fertile ground for biographers, as witness this work by Alexander (editor of Ariel Ascending ), which may be the most objective portrayal yet of the controversial American poet. Choosing to write Plath's life without the consent and probable constraints of the estate, Alexander eschews quoting from Plath's work; his is not a literary study. Yet the results are impressive: a thorough, beautifully fashioned chronicle rich in new materials and significant minutiae, beginning with the convergence of her parents' lives, continuing with Plath's precocious childhood and tumultuous adulthood, and concluding with her posthumous literary career. The book's achievement is to record Plath's notable vicissitudes with respect and sensitivity, implying but not imposing an interpretation on complex, often ambiguous evidence. Though at times we may desire more direct analysis, Alexander's understated approach has the considerable virtue of allowing readers to determine for themselves--insofar as such questions can ever be answered--what forces nurtured Plath's extraordinary lyrical gifts and what finally ended them. Photos.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
It seems no longer possible to read Plath's poems and fictions without her life and suicide as guide. Ignore her death, and the fiction and most of the poems increasingly seem self-indulgent and less than first-rate, unable to support a major reputation half as well as her self-destructive behavior does. Because her estate--which is ruled over by Ted Hughes and his sister Olwyn, the villains in these biographies--denies authors permission to quote from Plath's work unless manuscripts are submitted for approval and changes, if requested, are made, readers are left with inadequate paraphrase, innuendo, gossip, and speculation, which then lead to controversy and mystery--which in their turn lead to sales and literary immortality. Alexander, editor of Ariel Ascending: Writings About Sylvia Plath, deserves some attention. Still, each biography finally fails, either because of padding with irrrelevant minutiae (Alexander's); or a melodramatic and Kitty Kelleyish tone (Hayman's); or the substitution of simplistic paraphrase for analyses, sensationalism for objectivity, mystery for understanding (both). The Plath Industry thrives, though the quality of its products decreases. Previewed in Prepub Alert, LJ 6/1/91 and LJ 3/15/91.
- Vincent D. Balitas, Allentown Coll. , Center Valley, Pa.
Copyright 1991 Reed Business Information, Inc.
From Kirkus Reviews
Second biography of Sylvia Plath this season, this one by the editor of Ariel Ascending (1984), a collection of essays on Plath's life and work. Alexander's is a full-bodied biography, long on facts, short on criticism, but the best so far as a conventional life of the poet. Despite his detail, however, Alexander is much less involved with interpretation than Ronald Hayman is in The Death and Life of Sylvia Plath (p. 909), a psychocritical investigation focusing on the nature of suicide as shown in the poet's work. Hayman is more exciting, though both writers strain at supposition. Alexander carries Hayman's revisionist view of Plath's husband, poet Ted Hughes, to an even more extreme darkness, with Hughes now showing up as a craggy, violent man obsessed with horoscopes and the occult and in Plath's last year even urging her to suicide, perhaps with posthypnotic suggestion. Implied is that Plath fulfilled an agenda reinforced in her by Hughes, though of course she had an earlier history of suicide attempts. Whatever the truth of this (Hughes has never granted an interview about Plath), it's now more than a quarter century later and Hughes still finds himself pursued by his dead but restless wife in a variety of legal battles about her estate. Alexander (as Hayman did) resorts to paraphrase of Plath's work (Hughes refuses all rights to quote unless he can vet any biography), which tends to de-energize his page, but he has cracked the reserve of many Plath intimates who've not spoken before, especially about Hughes in a strange delirium attempting to strangle Plath and later deserting her outright on a vacation in Ireland when he thought he saw a face move in a painting. Alexander also uncovers a likely abortion that helped save her Fulbright. Lives of Plath are now so familiar that one reads them to see which writer can play Hamlet best. At this point, Hayman--with reservations--cuts the brightest figure, with Plath chewing more scenery than even Alexander can muster. (Sixteen pages of b&w photographs--not seen.) -- Copyright �1991, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
32 of 32 people found the following review helpful.
Brilliant and compassionate is "Rough Magic"
By P. B. Branscombe
Paul Alexander's "Rough Magic"is an outstandingly sensitive account of Sylvia Plath's life. The enormous amount of research by Alexander is highly impressive and clearly comes through in his amazing book. Since the author spent over five years interviewing over two hundred people who knew Plath and or Hughes as well as reading most if not all of the available archival documents concrned with his subject, it's small wonder that "Rough Magic" is such a great biography.
The description of her horrible ordeal in the chapter "Edge" should evoke sympathy and admiration for this highly talented woman who tried to cope against overwhelming odds of personal mental and physical sickness, harsh environment and separation from the man she loved.
The strength of this is the great number of personal stories from Aurelia's numerous talks with Alexander, and so many other close friends of the author which range over much of Syliva's lifetime.
I would strongly urge anyone who has even a modicum of interest in Sylvia Plath to beg, borrow, steal or even buy this book. It is one of the best biographies I have had the enormous pleasure and at times sadness in reading.
Paul Branscombe
17 of 17 people found the following review helpful.
Finally!
By Jennifer M.
At long last, a biography of Sylvia Plath written by someone who refused to bow to the editorial demands of Ted & Olwyn Hughes, who unfortunately controlled the late poet's estate at the time. Choosing freedom of speech over permission to quote Plath's work, Paul Alexander has produced an extraordinary biography that reveals the true Sylvia Plath as a girl, woman, wife, mother, and most important, author. With interviews from friends and family who had never before spoken about Plath for publication, this is a book that any scholar of Plath's life and work should not miss.
8 of 8 people found the following review helpful.
Wonderful, compassionate account of the life of a beloved, tortured artist
By C. Doyle
"Rough Magic" by Paul Alexander is a pure and objective account of the life of Sylvia Plath. It begins with her family history; a brief overview of her grandparents and parents, and follows with her childhood, including the tragic, influential death of her father when she was a young girl. Her years as a growing adolescent and emerging writer are retold with clarity and insight into the events which went on. Topics of focus include her intense, dramatic need for academic success and her longing to always remain a socially accepted person, two things which were embedded into Sylvia as a young child. The biography goes into great detail about the romantic relationships she experienced, with everything from a stolen kiss from a not-so-secret admirer during her teen-years, to the sad and turbulent end to her marriage to Ted Hughes.
In the end, you'll put this book down with a greater sense of compassion for Sylvia and a better understanding of who she really was: a loving mother and writer who tried, through her precious poetry and prose and the safety and security of a loving family, to shake the demons that followed her throughout her life, a life she considered "blessed." And you'll probably laugh a little and cry a little, and you'll miss her, because she was the type of person that you miss. And hopefully, you'll take a step back and realize that we ourselves are blessed, in just "knowing" her; that, in the story of her life and in her work, there are whispers-- graciously spoken and lovingly heard, left for us to understand and to keep.
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